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Heuristics

Materials for Teaching Lateral Thinking

This chapter discusses the use of trivial and artificial demonstrations to illustrate the process of lateral thinking, emphasizing that the process itself is more important than the product. It provides a guide on types and sources of materials—visual, verbal, problem, themes, anecdotes—and the importance of stockpiling them for effective teaching.

THE IDEA

Materials

Many of the demonstrations used in this book may seem trivial and artificial. They are. The demonstrations are used in order to make clear some point about the thinking process. They are not intended to teach anything but to encourage the reader to develop some insight into the natural behaviour of the mind. Just as the actual content of parables or fables is so much less important than the point they are intended to convey so the demonstrations may be trivial in content in order to make an important point.

There is unfortunately no switch in the mind which can be flicked one way for dealing with all important matters and the other way for dealing with minor matters.

Whatever the importance of the matter the system behaves in the same way, that is according to its nature. In important matters the working of the system may be distorted by emotional considerations which do not interfere with the handling of trivial matters. The only effect is to make the working worse than it can be. Hence the defects of the system in dealing with trivial matters are at least the same defects which will be present when dealing with more important matters.

It is the process not the product that matters. The trivial and artificial items illustrate the process in a neat and accessible manner. The process can be extracted just as the relationships expressed in a formula in algebra can be separated from what the symbols actually stand for.

Many of the items are visual and even geometric. This is deliberate because the use of verbal illustrations can be misleading. Words are already neat and fixed packages of information and in discussing the thinking process one really has to go back to the situation itself since the choice of words in a description is already a choice of viewpoint, is already quite far along the thinking process. The nearest one can get to a raw situation, before it has been processed at all by thinking, is a visual situation and geometric ones are preferable since they are more definite and the processing of them is more easily studied. With verbal descriptions quite apart from the choice of viewpoint and the choice of words there are nuances of meaning which can lead to misunderstanding. With a visual situation no meaning is offered. The situation is just there and hence the same for everyone even though they may process it differently.

When the principles indicated by the artificial demonstrations have been understood, when there has been sufficient practice in the processes suggested, then one can move on to more real situations. It is exactly the same as learning mathematics on trivial and artificial problems and then using the processes on important ones.

The amount of material supplied in this book is very limited. What is supplied is supplied more as an example than as anything else. Anyone who is teaching lateral thinking, either to students or to his own children must supplement the material offered here with his own material.

Image Visual material

The following material may be collected and used:

  1. In the section dealing with the progressive arrangement of cardboard shapes one can make up this sort of shape and also devise new patterns for illustrating the same thing. In addition one can ask the students themselves to devise new shapes.

  2. Photographs and pictures can be taken from newspapers and from magazines. These are especially useful in the section on different ways of looking at and interpreting a situation. The captions would naturally be removed. For convenience the pictures could be mounted on cardboard. If a magazine contained several useful pictures then a number of copies could be bought and used as permanent material.

  3. Drawings of scenes or people in action can be provided by the students themselves. A drawing provided by one student is objective material for everyone else. The complexity or accuracy of the drawing is not important, since what matters is the way it is looked at by the others.

  4. In the sections which call for the execution of designs as drawings these provide abundant material not only for the current set of students but for subsequent ones.

Image Verbal material

This can include written, spoken or recorded material.

  1. Written material can be obtained from newspapers or magazines.

  2. Written material can be supplied by the teacher writing on a particular theme with a definite (even if simulated) point of view.

  3. Written material can be supplied by the students who are asked to write a short piece on some particular theme.

  4. Spoken material can be derived from radio programmes, from recordings of radio programmes and from deliberate recording of simulated speeches.

  5. Spoken material can be obtained from the students themselves, one of whom may be asked to talk about a certain subject.

Image Problem material

The problem format is a convenient one for encouraging deliberate thinking. It is very difficult to think of a problem just when one is required. There are different sorts of problem.

  1. General world problems such as food shortage. These are obviously open ended problems.

  2. More immediate problems such as traffic control in cities. These are problems with which the students may have come into direct contact.

  3. Immediate problems. These concern the direct everyday interaction at school. If one does deal with personal problems it is probably best to deal with them in an abstracted way as if talking about third parties.

  4. Design and innovation problems. These are requests to bring about a certain effect They usually apply to concrete objects but they can also apply to organization or ideas (e.g. how would you organize a babysitting service or a supermarket?).

  5. Closed problems. These are problems for which there is a definite answer. There is a way of doing something and it is seen to work when it is found. Such problems may be practical ones (for instance how to hang a washing line) or artificial ones (how to make a hole in a postcard big enough to put your head through). Problems can be derived from many different sources:

  6. A general glance at a newspaper will generate world or more immediate problems (e.g. strikes).

  7. Problems may be suggested by everyday life (e.g. more efficient train services).

  8. Problems may be suggested by the students. The teacher asks for problems and then stockpiles the suggestions.

  9. Design problems may be generated by taking any item (car, table, desk) and asking how it might be done in a better way. More elaborate design problems can be generated by taking some task which has to be performed by hand and asking for a machine to do the same thing — or a device to make it easier. One could also just ask for a simpler way to do it.

  10. Closed problems are rather difficult to find. They must have a definite answer which is difficult enough to make the problem interesting but quite obvious once it has been found. There are some classic problems which one may know or be told about. It is however a bad idea to go to a puzzle book since many of the problems involve quite ordinary mathematical tricks which have nothing to do with lateral thinking. One simple way of generating closed problems is to take some ordinary task and then restrict the starting conditions. For instance one may want to draw a circle without using a compass. Once the problem has been set in this way then one solves it for oneself before offering it to others.

Image Themes

There are times when one just wants a subject for consideration. These are not actual problems nor are they expressions of a particular point of view. It is a matter of having a subject area in which to move and develop ideas (e.g. cups, blackboard, books, acceleration, freedom, building). These can be obtained in various ways.

  1. Simply by looking around one, taking an object and elaborating it into a theme.

  2. By glancing at a newspaper and deriving a theme for each headline.

  3. By asking the students to generate themes.

Image Anecdotes and stories

These are probably the most effective way of putting across the lateral thinking idea but they are extremely difficult to generate.

  1. From collections of fables or folk stories (e.g. Aesop’s fables, the exploits of the Mulla Nasruddin).

  2. By making a note of incidents from one’s own experience or that of others, news items etc.

Image Stockpile of material

It always seems much easier to think up material as required than it really is. It is better to gradually build up a stockpile of material: newspaper cuttings, photos, problems, stories, anecdotes, themes and ideas suggested by the students. One gradually builds up a file of such things and then can use them as needed. In addition there is the advantage that with use one can learn which items are particularly effective. One can also come to predict the standard responses to the items. Anecdotes, stories and problems should make a point about lateral thinking. Themes should be neutral, specific enough to excite definite ideas but wide enough for a variety of ideas to be offered. Pictures should be capable of different interpretations: a man holding a tin of corned beef is suitable but firemen putting out a fire are not; a woman looking in a mirror can be ambiguous, so can policemen arresting a man or soldiers marching down a street It is enough if you yourself can think of at least two different interpretations.

In contrast the verbal material should be as definite as possible. An article should offer a committed point of view, even a fanatical point of view. A general uncommitted appraisal is not so much use unless one is looking for background information to help consideration of a theme.

In putting across the idea of lateral thinking, as in teaching any sort of thinking, it is possible to talk in abstract terms, but what really makes things clear is actual involvement. The involvement may start with abstract geometric shapes and then the process is transferred bodily to more real situations. It is useful to keep going back to the simple shapes to emphasize the process for if one sticks entirely to real situations the nature of the process may get very blurred. There is also the real danger that in considering real situations one comes to think in terms of collecting more information, whereas the whole idea of lateral thinking is concept restructuring.

When to use it

  • Designing a workshop on creative problem-solving where participants use ambiguous photographs to generate multiple solutions.

  • Creating a stockpile of themed objects (e.g., a cup, a key, a clock) for brainstorming sessions to spark innovative product ideas.

  • Teaching lateral thinking to children by using simple geometric shapes and then transferring that process to real-world problems like organization or school challenges.

  • Developing a training program for business innovation that starts with artificial closed problems (like the postcard hole) and scales up to complex market problems.

FROM THEORY TO EVERYDAY LIFE

In practice

01

Closed Problem: Making a Hole in a Postcard

This classic lateral thinking problem asks: 'How can you make a hole in a postcard big enough to put your head through?' The solution involves cutting the postcard in a spiral pattern, creating a large loop. It illustrates the need to restructure the way you think about the problem, moving beyond the obvious assumption that the hole must be punched out directly.

02

Ambiguous Picture: Woman Looking in a Mirror

A picture of a woman looking in a mirror can be interpreted in several ways: she might be admiring herself, applying makeup, or having a moment of introspection. Generating different interpretations of an ambiguous image is an exercise in lateral thinking.

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A MOMENT TO REFLECT

Put it to work.

  1. How can you use ambiguous pictures or situations in your daily life to encourage yourself to think beyond your initial interpretation?

  2. Think of a trivial or artificial example (like a geometry puzzle) that helped you understand a complex concept. What made that example effective?

  3. Why is it important to stockpile materials for creative thinking rather than relying on ad-hoc ideas? What types of material would be most valuable for your own learning or teaching?

CONTINUE THE CONVERSATION

Source texts

  • Lateral Thinking A Textbook of Creativity (Edward de Bono)
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